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Barnebys Magazine

LatestEditor's picksTopics
Magazine/Works of art/The Story Behind Robert Indiana's "LOVE"

The Story Behind Robert Indiana's "LOVE"

When Robert Indiana created "LOVE" in the 1960s, little did he know it would become one of the most famous symbols in pop culture.

March 17, 2021Laurianne Simonin
Robert Indiana, LOVE, 1966-1998, sculpture sold for $1.8 million at Christie's in 2018, image © Christie's

Robert Indiana, LOVE, 1966-1998, sculpture sold for $1.8 million at Christie's in 2018, image © Christie's

The iconic LOVE design was the brainchild of Robert Indiana (1928-2018), an American artist and important exponent of Pop Art. Indiana, who also worked as a set and costume designer, discovered Pop Art at the age of 20 when he moved to New York.

Many are familiar with LOVE, but few know the name of its creator, let alone the story behind it. The concept of red letters with the slanted "O" originated in 1961, but the image did not become popular until 1965 after it was printed on greeting cards sold at MoMA.

Robert Indiana, LOVE, 1972, oil on canvas, sold for $3.5 million at Sotheby's in 2018. Image © Sotheby's

The idea of"Love" goes back to a childhood memory of Indiana, who saw the phrase God is Love as the only decoration on the wall while visiting a Christian Scientist church. The original colors of red, green and blue paid homage to his father, who worked at a Phillips 66 gas station during the Great Depression. Little did Indiana know that the combination of the word and the colors, which to him had a personal meaning, would create an image that would become a universal symbol.

Related: The 10 Most Expensive Sculptures Sold at Auction

MoMA historian Deborah Wye has described the image as "full of erotic, religious, autobiographical and political roots" that make it "both accessible and complex in meaning."

Robert Indiana, LOVE, 1966-1998, sculpture sold for $1.8 million at Christie's in 2018. Image © Christie's

The graphic design of LOVE is mainly thanks to Ellsworth Kelly who introduced Indiana to Hard Edge painting and worked with him for a while. "He [...] had a great influence on my work, and it's because of him that I'm here," Indiana once said.

The first sculptural version of LOVE was made in 1970 and subsequently exhibited at the Indianapolis Museum of Art. In 1973 the lettering appeared on an 8-cent postage stamp and thus was sent throughout the United States. Today, LOVE  is reproduced (and translated) around the world and can be found on a wide variety of items, from carpets to skateboards. Many people are familiar with the LOVE graphic, even if they are not aware that it is a work of art.

United States Postal Service 8c LOVE, stamp issued in 1973, designed by Robert Indiana, 26 January 1973. Image CCØ

Ironically, the tremendous success of this work did absolutely nothing financially for Robert Indiana. Since he never had the lettering protected as a trademark, he could not collect any license fees.

Related: Andy Warhol: The Pope of Pop

Indiana found it difficult to grapple with LOVE's sudden popularity, which dwarfed his other works. In spite of this, on the occasion of Barack Obama's 2008 campaign for president, Indiana presented a modified graphic of LOVE, for which he replaced the original four letters with HOPE. This new version was very well received by the public, who was already familiar with the graphics and colors, and it became a worldwide phenomenon.

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“Robert Indiana Working in Maine” (left), “Robert Indiana Resting in Maine” (right), photographs of Robert Indiana at his home by Charles Rotmil. Public domain photos

The minimalist design, the strong colors and the universal message of LOVE are elements that have made the artist one of the leading representatives of Pop Art, even if he has always rejected this label himself. This was also the reason why he left New York in 1970 never to return there. He preferred to lead a largely self-sufficient life on an island off the coast of Maine, where he died at his home on May 19, 2018.

You can find more stories from the art world in Barnebys Magazine!

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About the author

Laurianne Simonin

Laurianne Simonin is the Managing Editor at Barnebys Magazine. She has been writing for Barnebys French Magazine since 2018. After studying arts and photography, she worked in various cultural enterprises, both in galleries and in the museum sector. With a penchant for discoveries and objects with singular stories, Laurianne has written on a wide range of subjects ranging from archeology to cinema, but is particularly fond of writing in-depth articles on ceramics, Art Deco and Japanese art. Laurianne is now Editor-in-Chief and oversees the editorial strategy of Barnebys' six language platforms.

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Laurianne Simonin

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