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20th Century School: Untitled
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20th Century School: Untitled

Oil on canvasboard, signed 'Esteve' lower right. 16 x 20 in., 24 3/4 x 28 3/4 in. (frame).

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800 USD
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800 USD
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John Stephan (1906-1995): Untitled
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John Stephan (1906-1995): Untitled

Oil on canvas, c. 1962, with the Estate of John Stephan inkstamp on the stretcher. 49 x 65 in., 50 3/4 x 67 in. (frame).

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3,000 USD
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3,000 USD
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AFRICAN STOMACH BITTERS SPRUANCE

AFRICAN STOMACH BITTERS SPRUANCE

AFRICAN STOMACH BITTERS SPRUANCE, STANLEY & CO with tooled top. 1872-87 Ken Fee, much like other collectors, was obviously intrigued with accessible bitters made in the west. Not many bitters bottles qualify as much as the African Stomach Bitters. A mainstay of western collections, these often crude and colorful bottles are usually present in most beginning and advanced collections. We are lucky to be able to offer some in both parts of this auction. This example is a very crude tooled top varia

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180 USD
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180 USD
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Edouard Pignon (1905-1993): Abstract Sailboat with Two Figures
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Edouard Pignon (1905-1993): Abstract Sailboat with Two Figures

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2,000 USD

DR RENZ’S HERB BITTERS 1868-81

DR RENZ’S HERB BITTERS 1868-81

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425 USD

Kico Govantes (b. 1957): Veil of Tears
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Kico Govantes (b. 1957): Veil of Tears

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800 USD

Louisa Chase (1951-2016): Untitled
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Louisa Chase (1951-2016): Untitled

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800 USD

Elie Nadelman (1882-1946): Two Figures
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Elie Nadelman (1882-1946): Two Figures

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4,000 USD

DR

DR

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50 USD

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Jules Pascin (1885-1930): Reclining Female Nude

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2,000 USD

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Richard Estes (b. 1932): Antarctica

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50,000 USD

BOTANIC STOMACH BITTERS with same on reverse

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80 USD

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Milton Avery (1885-1965): Japanese Landscape

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2,000 USD

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Gandy Brodie (1925-1975): Untitled

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1,000 USD

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Man Ray (1890-1976): Le Pied Dans Le Pied

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7,000 USD

Renato Birolli (1905-1959): Composizione
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Renato Birolli (1905-1959): Composizione

Two-sided pastel on paper, 1956, signed 'Birolli' and dated lower right. 15 1/2 x 12 in. (sheet), 22 x 18 1/2 in. (frame).

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600 USD
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600 USD
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HIERAPICRA BITTERS EXTRACT OF FIGS BOTANICAL SOCIETY CALIFORNIA with FIG on base

HIERAPICRA BITTERS EXTRACT OF FIGS BOTANICAL SOCIETY CALIFORNIA with FIG on base

HIERAPICRA BITTERS EXTRACT OF FIGS BOTANICAL SOCIETY CALIFORNIA with FIG on base. Applied top 1878-81. These are a scarce and often beautiful bottle in a nice deep western aqua color. These bitters began in the mining town of Angel’s Camp where they formed a society investigating the potential of figs as a medicinal remedy. Their efforts appeared to have been rewarded, as they eventually changed to bigger bottles after early success. This has some wear and a small scrape on the reverse panel wit

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210 USD
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210 USD
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BGB Tooled top amber case bottle

BGB Tooled top amber case bottle

BGB Tooled top amber case bottle. Late 1880’s It is thought the initials on this bottle stand for “Blue Gum Bitters,” made for Basil A. Hester of Stockton. This product was also sold in a paper label only, milk glass gin shaped bottled, one is pictured in the Wilson Bitters book page 67. Although we are not familiar, this product was made from the leaves of the blue gum tree, a tree indigenous to Australia. This product was believed to have been distributed throughout the world, with the bottles

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60 USD
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60 USD
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Elie Nadelman (1882-1946): Figure (Blue Hair)
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Elie Nadelman (1882-1946): Figure (Blue Hair)

Painted papier maché, unmarked. 4 1/2 (height).

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1,000 USD
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1,000 USD
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J.

J.

J. WALKER’S V.B. 1866-88 Applied mushroom style top. Here’s a bitters that was made for quite some time. It is believed that Joseph Walker began in Stockton, California selling locally his California Vegetable Renovating Bitters. Soon Walker convinced a Sacramento wholesale drug store owner, R.H. McDonald, to bottle and distribute his Vinegar Bitters. He then moved to San Francisco and worked on other brands, where he became very successful. This light blue example is heavily whittled Click on L

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50 USD
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50 USD
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After Marcel Duchamp (1887-1968): Pipe
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After Marcel Duchamp (1887-1968): Pipe

Painted clay pipe, unmarked, in a Plexiglas display box.  Pipe 6 1/2 in. (length), box 6 x 10 1/2 x 7 1/2 in. 

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800 USD
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800 USD
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DR

DR

DR. HENLEY’S WILD GRAPE ROOT BITTERS Applied band 1868-93. This is another of the older variants in a bright yellow with a touch of green. Describing the color on this is pretty much impossible, we believe the pictures are right on the money. There is a bit of roughness on the back lip, most of these are icepick chips that were administered when the bottle was originally opened. Overall a beautiful example with no other imperfection. This would look great on anyone’s shelf. Grades a 9 without th

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950 USD
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950 USD
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Edouard Pignon (1905-1993): Abstract Sailboat with Two Figures
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Edouard Pignon (1905-1993): Abstract Sailboat with Two Figures

Oil on canvas, 1947, signed 'Pignon' and dated lower right. 10 x 13 in., 20 3/4 x 23 3/4 in. (frame).

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2,000 USD
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2,000 USD
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DR RENZ’S HERB BITTERS 1868-81

DR RENZ’S HERB BITTERS 1868-81

DR RENZ’S HERB BITTERS 1868-81. Applied tapered top with no ring. John Renz was a German native who moved to Sacramento from Pennsylvania in 1856. He became a dealer in paints, oils, and glass. A rumor has it that his father, who was a doctor, gave him the recipe for a bitters, which John began to sell in 1867. Originally, he sold the product in unembossed bottles but was able to convince Charles Langley of Sacramento, to take on the roll as the brand’s agent. Renz, meanwhile, sold his paint bus

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425 USD
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425 USD
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Kico Govantes (b. 1957): Veil of Tears
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Kico Govantes (b. 1957): Veil of Tears

Collage on paper, 1998, signed 'Kico' and dated lower right, titled lower center, inscribed 'three' lower left, inscribed 'para feicitas con mucho carino y muchas gracias por todo especially your friendship/Kico/9.16.99" on the back of the frame. 15 x 11 1/4 in. (sheet), 18 x 14 in. (frame). Note: This series of collages is made with found foils of burnt heroin. The medium lends a deeper meaning to the title.

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800 USD
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800 USD
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Louisa Chase (1951-2016): Untitled
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Louisa Chase (1951-2016): Untitled

Oil on canvas, 2002, signed 'Louisa Chase' and dated on the reverse. 16 x 20 in., 17 1/4 x 21 1/4 in. (frame).

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800 USD
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800 USD
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Elie Nadelman (1882-1946): Two Figures
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Elie Nadelman (1882-1946): Two Figures

Papier maché, unmarked. 14 1/2 in. (height).

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4,000 USD
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4,000 USD
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DR

DR

DR. HENLEY’S WILD GRAPE ROOT BITTERS No circle. 1868-93 Ken Fee was obviously smitten with the Henley IXL bottles, as we found 13 different variants. It almost seems like they were more available back then, even in oddball colors. Of course, he did spend over twenty years collecting so, apparently, these were a priority. This one is a medium bluish aqua. This one has some roughness on the lip, and we will be sure to photograph the tops on these if there is any problem at all. Otherwise a nice ea

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50 USD
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50 USD
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Jules Pascin (1885-1930): Reclining Female Nude
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Jules Pascin (1885-1930): Reclining Female Nude

Watercolor and ink on paper, c. 1915, signed 'Pascin' and with the artist's atelier inkstamp lower right. 10 x 6 1/4 in. (sheet), 18 x 15 in. (frame).

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2,000 USD
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2,000 USD
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Richard Estes (b. 1932): Antarctica
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Richard Estes (b. 1932): Antarctica

Oil on board, 2007, signed 'Richard Estes', titled and dated lower right. 17 1/2 x 23 3/4 in., 21 1/4 x 27 1/2 in. (frame). Note: Estes traveled to Antarctica in 2007. His journey inspired a series of paintings that evoke the unsparing arctic environment, its frigid waters, bright light and cool isolation. In contrast with his cityscapes of compressed reflections, in this series Estes presents very accomplished landscape paintings that underscore the environmental issues plaguing Antarctica.  

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50,000 USD
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50,000 USD
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BOTANIC STOMACH BITTERS with same on reverse

BOTANIC STOMACH BITTERS with same on reverse

BOTANIC STOMACH BITTERS with same on reverse, 1885-89. Tooled top. Here is another bottle that comes in two different variants. Although it is thought this product was made for four years, it was apparently, not very successful, as examples are very hard to find. It is believed this variant always has the tooled top. Botanic, by the way, means the science of plants. A scarce bottle with extremely bold embossing on both sides, in a vibrant amber. Grades a 9.5

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80 USD
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80 USD
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Milton Avery (1885-1965): Japanese Landscape
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Milton Avery (1885-1965): Japanese Landscape

Drypoint in black on wove paper, 1939, signed and dated in pencil, numbered 44/100. 10 x 14 in. (sheet), 12 x 16 in. (frame).

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2,000 USD
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2,000 USD
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Gandy Brodie (1925-1975): Untitled
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Gandy Brodie (1925-1975): Untitled

Oil on canvas, 1972, signed 'Gandy Brodie', dated and inscribed 'For Will with respect and gratitude' on the reverse. 20 x 18 in., unframed.

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1,000 USD
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1,000 USD
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Man Ray (1890-1976): Le Pied Dans Le Pied
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Man Ray (1890-1976): Le Pied Dans Le Pied

Ready-made collage, 1957, signed 'Man Ray' lower left, titled lower center. 9 x 12 3/4 in. (sheet), 16 1/4 x 19 1/4 in. (frame).

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7,000 USD
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7,000 USD
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