Stay up-to-date with the antiques world

By subscribing, you are agreeing to the privacy policy. Unsubscribe anytime.

Barnebys

Barnebys HQ

Brahegatan 10
BOX 5038
114 37 Stockholm

Company

  • About Us
  • Join Barnebys
  • Our partners
  • Press
  • Career

Explore More

  • Barnepedia
  • Buying/Selling at auction
  • Auction Houses / Dealers / Galleries

Support

  • FAQ
  • Terms of Use
  • Privacy and Cookies policy
  • Contact us
  • Barnebys Group AB
  • Barnebys.se
  • Barnebys.com
  • Barnebys.co.uk
  • Barnebys.de
  • Barnebys.fr
  • Barnebys.es
  • Barnebys.it
  • Barnebys.hk
  • All auction items
  • Categories
  • Auction results
  • Magazine
  • Ancient Art
  • Arts & Graphics
  • Asian Art
  • Books, Maps & Manuscripts
  • Carpets, Rugs & Textile
  • Coins & Banknotes
  • Contemporary Art
  • Ethnographic
  • Fashion & Vintage
  • Folk Art
  • Furniture, Design & Mirrors
  • Glass
  • Jewelry & Gems
  • Lighting
  • Medals, Arms & Armor
  • Miscellaneous
  • Music & Musical Instruments
  • Nautica, Technica & Optic
  • Photographs
  • Porcelain & Pottery
  • Postcards & Stamps
  • Sculptures
  • Silver & Gold
  • Sports & Leisure
  • Tin & Metals
  • Toys & Collectibles
  • Vehicles
  • Watches & Clocks
  • Wine & Spirits
  • Works of art
  • All auction items
  • Auction results
  • Magazine
  • Get an appraisal
  • Auction system

Barnebys Magazine

LatestEditor's picksTopics
Magazine/Works of art/A Restoration Reveals A Steak's True State

A Restoration Reveals A Steak's True State

How much is the viewer missing out on when an artwork hasn’t been restored in a long time? Apparently, a lot. Recently, conservators were surprised when a Dutch still life was restored: the painting that was previously thought to depict a dirty 16th-century kitchen would prove to show something else entirely.

December 6, 2019
Floris Gerritsz. van Schooten (1585/88–1656), ‘Kitchen utensils, meat and vegetables’, Haarlem, Netherlands, c.1620-30. Oil on canvas. 102.2 x 158.1 cm. Given by Prof. C. Hague, 1820 (96). © The Fitzwilliam Museum, Cambridge.

Floris Gerritsz. van Schooten (1585/88–1656), ‘Kitchen utensils, meat and vegetables’, Haarlem, Netherlands, c.1620-30. Oil on canvas. 102.2 x 158.1 cm. Given by Prof. C. Hague, 1820 (96). © The Fitzwilliam Museum, Cambridge.

The Dutch artist Floris Gerritsz van Schooten's painting Kitchen Utensils, Meat and Vegetables was restored prior to the exhibition Feast & Fast, the Art of Food in Europe 1500-1800 at the Fitzwilliam Museum in Cambridge. The still life was painted around 1620, which meant that it had nearly four centuries of accumulated grime and was due for a proper cleaning.

Before restoration. Floris Gerritsz. van Schooten (1585 / 88–1656), ‘Kitchen Utensils, Meat and Vegetables’, Haarlem, Netherlands, c.1620–30. Oil on canvas. 102.2 x 158.1 cm. Given by Prof. C. Hague, 1820 (96). © The Fitzwilliam Museum, Cambridge.

The varnish on the painting had been discoloured and the details became increasingly difficult to make out, but after the conservators removed the old paint, the still life got a new look and a new meaning. It turned out that the pots Van Schooten portrayed were not dirty at all but shining clean, and the fresh ingredients were of the highest quality, ready to be cooked.

See also: Monet's Water Lilies Discovered Underneath A Wisteria Painting

After restoration. Floris Gerritsz. van Schooten (1585 / 88–1656), ‘Kitchen Utensils, Meat and Vegetables’, Haarlem, Netherlands, c.1620–30. Oil on canvas. 102.2 x 158.1 cm. Given by Prof. C. Hague, 1820 (96). © The Fitzwilliam Museum, Cambridge.

According to conservator Victoria Avery, the team gained a better understanding of 16th-century Dutch cooking techniques. For example, the copper and brass pots had different uses: the pots that are black on the outside were used to cook meat and vegetables over an open fire, while the glossy ones were used to preserve food. This was done over burning coal, when it was easier to regulate the temperature. The reason the saucepans are shiny on both the inside and the outside is because burning coal releases carbon monoxide which cleans the copper surface.

The biggest surprise was the large steak in the lower right, which was previously thought to be cooked but turned out to be raw.

See also: Top Ten Rediscovered Masterpieces, According to Barnebys

The restoration of the work has opened up new interpretations and the rediscovered details have added layers of meaning to the piece. According to the conservators, the process has been surprising and unfortunately photographs do not do the painting justice. However, if you find yourself in Cambridge, be sure to have a look: the Fitzwilliam Museum has hung up Van Schooten's freshly-restored still life for all to enjoy.

Discover more still life at Barnebys

still lifedutch paintingfloris van schootenrestoration

Join 200,000+ collectors reading Barnebys Magazine

By subscribing, you are agreeing to the privacy policy. Unsubscribe anytime.

Explore related articles

PARIS, FRANCE - OCTOBER 20: Baroness Myriam Ullens de Schooten and her husband Guy Ullens de Schooten at the FIAC 2021 - International Contemporary Art Fair: Press Preview at Grand Palais Ephemere on October 20, 2021 in Paris, France. (Photo by Luc Castel/Getty Images)(detail)
Works of art

Major Art Collector Myriam Ullens Killed in Belgium

Bring your auction to collectors worldwide!