Carlo Mollino was born in Turin, Italy in 1905. His father, Alberto Mollino, was a prominent civil engineer who designed, among other things, the local Molinette Hospital. Carlo followed in his father’s footsteps and enrolled in the School of Engineering in 1925. Mollino was not destined to be an engineer, however, and after one year in the program, he transferred to the Royal College of Architecture at the Albertina Academy in Turin (today Polytechnic University of Turin) to achieve his creative ambitions.
Mollino's career as an architect, designer, and photographer mingled with his many personal hobbies (motorsport, aviation, skiing and mountaineering). Characteristic of his oeuvre is his remarkable ability to represent his many passions so seamlessly in his artworks. The creations and the man were intrinsically linked, so much so, that once combined they became difficult to differentiate. Mollino was an eclectic, ironic, eccentric man whose unconventional lifestyle included good wine and beautiful women alike.
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The idiosyncrasies of Mollino’s private life are represented throughout his projects in his hometown of Turin, and it would be the peculiarities of his creations that would ultimately bring him prominence. The bold shapes of the Palazzo degli Affari’s façade, as well as the undulating curves of the Teatro Regio and the Rai Auditoriums, are clear examples of the technical and formal innovation that established Mollino as one of the foremost architects from the city.
Mollino’s transition from architect to furniture designer was not a rapid or organic progression. However historic his furniture may be now, at the time it was considered illogical to eschew the norms of mass and serial production.
The sinuous lines of the tables and chairs designed by Mollino are reminiscent of sexuality and a thorough knowledge of materials - many of his pieces are based on the curves of a woman’s figure. The human form was one of his greatest design inspirations, along with the spirit of surrealist and futuristic artworks. All too often his pieces were defined as erotic, however, some designs reflect his other interests. The wooden base of the Reale table, for example, alludes to aviary forms.
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Always a constant in Mollino's life was photography, having been one of his most enthusiastic pursuits since his youth. Ever-present in his work is a juxtaposition between the artistic canon and the dynamism of experimentation.
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As a man always looking to expand his creative horizons, architecture, furniture and photography gave way to automotive design. In 1954, he designed a surrealist-inspired bus, the Nube d'Argento for Agil-Gas.
Building on that success, the following year he was commissioned to create the Nardi 750 Bisiluro, a race car that was ultimately selected for the 24-hour race.
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Carlo Mollino passed away suddenly, in 1973, at the age of 68, but his eclectic designs and passionate ingenuity have left a legacy for the ages. Today, his design pieces sell for millions at auction. His current record was set in 2005 with an oak and glass table designed by Mollino for Casa Orengo in Turin sold for $3.8 million at Christies.
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This is an updated version of the article originally published on August 8, 2018.