Ninni Pagano (1969) - La guardiana dell' icosaedro

Biography of Ninni Pagano Born in Catania in 1969, Ninni Pagano initially pursued scientific studies, a background that will influence the precision and structure of his future works. His entry into the world of art came through studying with master Antonio Sciacca, with whom he shares a vision of art as a bridge between different eras. The Poetics: "The Chamber of Wonders" Pagano's research is closely tied to the concept of Wunderkammer (Chamber of Wonders). His works are often conceived as mental spaces where they merge: Classicism and Pop: Elements of Greco-Roman statuary and Renaissance sculpture are reinterpreted with solid colors and contemporary symbolism. Alchemy and Philosophy: The artist explores the enigma of existence through dreamlike figures (such as his famous "Swan Women") and hermetic references. Matter: He uses blended powders to achieve a chromatic compactness that gives the canvases a nearly sculptural dimension. Achievements and Recognitions Although his exhibition career fully took off around 2011, he quickly achieved internationally notable milestones: Venice Biennale: He exhibited at the 56th edition (2015) within the show "Grazie Italia" at the Guatemala Pavilion. Rome Triennial: Participation in the Visual Arts Exposition of the Triennial in 2014. Publications: His work is included in Mondadori's Catalogo d'Arte Moderna (CAM) and in the De Agostini Atlas of Contemporary Art. International Presence: His works have been shown in prestigious venues such as the Altes Dampfbad Museum in Baden-Baden, Germany, and at Art Market in Budapest. In addition to painting and sculpture, Pagano is an expert connoisseur of antique art. This passion is reflected in the way he "recovers" the past, not to copy it, but to transform it into a grotesque and fascinating language that speaks of the contradictions of modern man. The Guardian of the Icosahedron "The Guardian of the Icosahedron" is a title that fuses myth, science, and mysticism, reflecting Pagano's complex artistic philosophy. The description and meaning of this title unfold on three key levels: The Symbolism of the Icosahedron: In sacred geometry and Platonic philosophy, the icosahedron (a regular polyhedron with 20 faces) represents the element of Water. The presence of swimming accessories like the swim cap and goggles transforms the woman from a simple athletic figure into a mythical entity tied to this element, guardian of submerged and ancestral secrets. The "Ieratic" Guardian: The term evokes a role of protection and threshold. The female figure, with her elongated neck and impassive gaze, is not a passive subject but the custodian of geometric and scientific knowledge, watching over the boundary between the chaos of the abyss and the mathematical order represented by the solid. The synthesis between Reason and Mystery: The title highlights the constant tension in Pagano's work between scientific rigor (the mathematics of the polyhedron) and the surreal, dreamlike dimension (the woman-myth). The work thus becomes a modern visual Wunderkammer, where classical beauty serves as guardian of geometric precision. Instagram:@ninnipagano

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