Maud Lewis (1901-1970) Deer & Stag by Winter Pond

Marshalltown, Nova Scotia. Late 1940s. The pairing of two deer in Maud's work has long been interpreted as a symbolic representation of Maud and her husband, Everett. Unlike later and familiar versions of Lewis' Deer in Winter, in which the animals are viewed from behind, gazing toward a distant village, here Lewis brings the pair into the immediate foreground. The stag and doe face the viewer, allowing for a more intimate appreciation of their expressive faces. The village remains in the distance, with its Maud red houses nestled against an evergreen forest. Particularly charming is the exaggerated height of the tiny white church steeple, seen in Lewis' early works. The composition is also distinguished by its brilliant mustard-yellow sky and high horizon, a striking feature also associated with early works. This warm backdrop complements the vibrant orange and red autumn foliage, creating an unusual and beautiful contrast against the snow-covered landscape. Lewis demonstrates a wonderful attention to detail in the trees, using varied shades of brown to define the branches and trunks with subtle areas of shadow. Beneath them, the golden pond reflects the surrounding trees adding depth and movement to an otherwise still image. Signed, "Lewis" lower right. Includes certificate of authenticity signed by Alan Deacon.

Estimate:$17,517.42

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