Manuel de Amores (1938) - Cuerpo en reposo

Pictura Subastas presents this magnificent work of art by Juan de Amores, depicting a naked woman reclining with her legs bent, enveloped in an intimate atmosphere of sensuality, rest and mystery. The painting stands out for its excellent technique and the high pictorial quality it conveys. · Dimensions with frame: 42x35x3 cm. · Dimensions without frame: 30x24 cm. · Hand-signed pastel by the artist at the bottom right. · The piece is in good conservation condition. · The work is sold with a precious frame (included in the auction as a gift). The work comes from an exclusive private collection in Girona. Important note: the photographs included are an integral part of the lot description. The painting will be professionally packed by an IVEX expert (https://www.instagram.com/ivex.online/), using high-quality materials to ensure its protection. The shipping price covers both the cost of professional packaging and the transport itself. Shipping will be carried out by Correos, GLS or NACEX with tracking. International shipping available. This painting features a naked female figure reclining on a surface covered by broad folds of fabric, in an intimate composition that concentrates all attention on the shapes of the body. The woman is depicted from a close perspective, with her legs elevated and bent, while the torso occupies the central part of the image. The arrangement of the figure creates a tight, silent scene, marked by sensuality, vulnerability and a deep sense of serene abandonment. The female body becomes the main axis of the composition. The curves of the waist, abdomen, hips and thighs follow each other in harmonious succession, creating a continuous and enveloping visual journey. The stance is neither rigid nor solemn; it is spontaneous and natural, as if the protagonist were resting in the privacy of a room. The proximity from which the scene is viewed reinforces its personal character and makes the viewer confront a reserved moment. The bent legs rise on both sides of the body and delimit a central space where most of the luminosity concentrates. This position creates a triangular structure that gives stability to the image, while introducing movement through the diagonals of the thighs and knees. The dark outlines mark the forms with intensity and allow the anatomy to be distinguished within a scene dominated by light, soft and delicately diffused tones. The woman's face remains almost entirely hidden, which adds mystery and prevents the work from becoming an individual portrait. The protagonist does not show a fixed expression, so her emotional state must be interpreted through her body posture. She can be perceived as a figure resting, dreaming, or completely absorbed in her thoughts. This absence of visible identity transforms her body into a universal image of intimacy, quietude and human fragility. One of the arms descends toward the lower left, where the hand seems to hold or brush the fabric that covers the surface. This gesture introduces a subtle narrative detail, suggesting that the figure has just settled or is adjusting the fabric around her. The hand acts as a connecting point between the body and the cloth, while the elongated line of the arm adds elegance and helps balance the visual weight of the elevated legs. The fabric in the lower area takes on a prominent presence thanks to its pinkish, reddish, ochre and violet tones. Its numerous folds extend toward the edges and generate a sense of movement that contrasts with the stillness of the body. This extension of warm color functions as a base on which the figure rests and adds depth to the whole, besides introducing a enveloping and welcoming note within the scene. The color palette is built with soft yellows, creams, pale blues, subdued greens, pinks and earth tones. The light tones that traverse the skin create a delicate luminosity, while the dark outlines define the different parts of the body and provide strength to the composition. In the background there are some reddish and orange zones that suggest the presence of a bedhead, a wall, or certain elements of the space, though they remain deliberately undefined so as not to distract attention from the protagonist. The scene preserves notable emotional ambiguity. On one hand, nudity and proximity convey sensuality and warmth; on the other hand, the absence of gaze and the folded posture convey a sense of isolation and seclusion. The woman appears to be removed from the outside world, protected within a private space where time has stood still. This combination of physical proximity and emotional distance lends the work an especially evocative character. The simplified treatment of the surroundings allows the body to stand out clearly while also leaving room for the viewer’s imagination. There are no elements that allow precise identification of place or moment, so the scene could belong to a daily instant, a dream, or even a memory. The figure presents itself as a soft, silent presence, enveloped by delicate colors and by an atmosphere of complete intimacy. Overall, this painting offers a deeply intimate and expressive representation of the female form, in which the curves of the body, the arrangement of the legs and the broad folds of the fabric create a balanced and sensual composition. The chromatic delicacy contrasts with the strength of the outlines, while the hidden face maintains the mystery of the protagonist. The work invites contemplation of the natural beauty of the human body from a serene, poetic and respectful viewpoint, conveying rest, vulnerability and a strong sense of privacy.

Estimate:$392.15

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