Lucía Laurent - XL - Tres Almas

Lucía Lauren (LILI) is a Cuban artist with essentially self-taught plastic training, graduated in Social Communication from the University of Havana. Her relationship with the image began long before she dedicated herself professionally to painting. Photography was her first creative territory: through it she developed a special sensitivity to composition, visual balance, gesture, and the representation of the human figure. Subsequently, she spent several years exploring the world of tattooing, a decisive stage for understanding the importance that line, silhouette, simplification of forms, and graphic clarity acquire in her current painting. Finally she found in the visual arts a much broader space of expression. Painting allowed her to gather those previous experiences and transform them into an intimate and recognizable universe, mostly built with acrylic on canvas. Lucía Lauren’s work revolves especially around women, nature, flowers, and animals, with a recurring presence of the cat as the silent companion of her protagonists. They are scenes that rarely seek to narrate extraordinary events. On the contrary, the artist seems interested in small moments of calm: a woman holding her cat, a figure surrounded by flowers, a glass of wine, an imagined garden, or simply a moment of contemplation. Her painting starts from a marked visual synthesis. Lucía eliminates a great deal of secondary information to retain only what she considers essential. Serene faces, large swaths of color, clearly defined outlines, and flat shapes build immediately legible images, yet charged with sensitivity. In her language we find echoes of contemporary illustration and naïve painting, together with decorative references close to Art Deco and Art Nouveau. However, these elements appear reinterpreted from a personal sensibility, warmer, more everyday, and feminine. One of the most interesting aspects of her work is the use of color. Powder pinks, terracottas, ochres, mustards, and cream tones live alongside deep blacks, bluish greens, intense reds, and very clean whites. In some compositions the palette is delicate and almost domestic; in others, chromatic contrast takes on a clearly graphic intensity. The woman occupies the center of practically her entire pictorial universe. She is not depicted as a heroic or distant character, but from a calm, elegant, introspective femininity. Figures with serene gazes, slow poses, and restrained gestures. There is glamour, but it is an intimate and silent glamour. Cats play an especially interesting role. More than mere decorative elements, they act as symbols of companionship, independence, tenderness, and emotional refuge. In works where woman and animal embrace, the curves of the human body and the cat’s forms almost fuse, turning the composition into a representation of affection. Flowers and vegetation fulfill a similar function. They surround the protagonists, appear on their dresses, or integrate into the backgrounds until sometimes the boundary between figure and nature is erased. In this way, woman, nature, and the animal world end up forming one single sensitivity. In works such as the figure embracing the cat on a red background, Lucía radically reduces the palette to build the image through the contrast between black, white, and red. The stripes of the dress cease to be merely a print and become the main compositional resource: they surround both characters and concentrate the entire scene in the gesture of the embrace. The result conveys protection, intimacy, and silence. In other pieces, such as the woman seated beside the cat and the glass of wine, the artist develops a composition closer to contemporary design. The terracotta of the dress dialogues with soft pinks, beige, and blue-green, creating a sophisticated image without feeling cold. The protagonist performs no concrete action; she simply exists within her space. Precisely that absence of drama constitutes much of the charm of the work. Thus, Lucía Lauren develops a painting that appears simple but is carefully constructed. Her language does not depend on ostentatious technical virtuosity, but on the ability to reduce a scene until finding its essential emotion. Her universe is feminine, botanical, domestic, and affective. It features everyday beauty, the relationship with animals, care, contemplation, and nature as refuge. Her paintings possess a particularly attractive quality: they may seem decorative at first glance, but behind that beauty lies a constant search for harmony, sensitivity, and serenity. In a contemporary panorama where many images seek to attract attention through excess, Lucía Lauren takes the opposite path: she simplifies. And it is precisely in that simplicity that much of the personality of her work resides. Artwork by artist Lucía Laurent made in acrylic on high-quality professional canvas. Size 90 x 120 cm of painting. Original edition. Shipping will be carried out through United Parcel Service (UPS), for Spain and Europe, and through FedEx for the rest of the world. The work will be rolled and protected with multiple layers of packaging, bubble wrap, and placed in a sturdy tube. Once the work is paid for, three days are required for the packing process and delivery to the shipping company. The piece will reach you within ten days, depending on the destination country. “This lot contains visualizations made with AI. Please check the original photographs to verify the actual condition of the work.” “Tres Almas” is a work in acrylic on canvas of contemporary figurative language, characterized by a stylized composition, defined lines, and a color palette of strong visual impact. The three female figures, represented by curved forms and blocks of color in terracotta, black, blue, pink, and ivory tones, establish a visual dialogue based on contrast and complementarity. The arrangement of the bodies conveys closeness, trust, and a sense of silent unity, while the diversity of tones can be interpreted as a celebration of identity and female plurality. The artist seems to seek a refined representation of the human figure, moving away from realism to turn the body, color, and geometry into vehicles of emotional expression."

Estimate:$672.12

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