EMIR BERCUTTE - SNOPPY STREET ART LOVE 12 - Toile L -LIMITED EDITION

Magnificent street art work in the style of the greatest street artist Banksy On each photo in the collection, a message is painted on the wall like graffiti This work is the fruit of a silent artistic conversation between my imagination and a well-trained artificial intelligence algorithm called Midjourney The situational visuals are AI visualizations based on photographs of the real object. The photographs of the real object are the authoritative descriptions. Canvas print stretched on a wooden frame, ready to hang. The certificate of authenticity is mailed separately for security reasons. The artwork is directly sent by our German partner laboratory for quality printing reasons. Who is the artist EMIR BERCUTTE, born in 1968 in Paris, Emir Bercutte develops a sensitivity to urban landscapes and the forms of expression that traverse them at a very early age. After a long career outside the institutional art sphere, he fully dedicates himself to creation from 2010. Passionate about street art, which he considers the most direct and living form of contemporary visual writing, he begins by roaming the world’s cities to document their walls. His photographic work focuses on ephemeral works, the traces left by artists, and the silent dialogues between street, architecture, and images. He photographs both major capitals and more peripheral territories, building over the years a vast visual archive of global street art. In 2023, Emir Bercutte begins a new turning point by integrating artificial intelligence into his practice. He approaches it not as a disruptive tool, but as an extension of his eye as a photographer and lover of street art. From his own images and references drawn from urban culture, he creates hybrid works where the memory of walls, tags, and frescoes dialogues with forms generated by AI. His compositions question the notion of authorship, reproduction, and the survival of images in a digital world. Today, Emir Bercutte’s work sits at the border between photography and algorithmic creation, offering a new way of thinking about street art in the age of artificial intelligence."

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