Ancient Chinese

China – Han Dynasty (206 BCE – 220 CE) – Grand funerary statue « Stickman » – Thermoluminescence ASA A remarkable figure in ancient Chinese funerary art This important life-size terracotta anthropomorphic statuette, known as « Stickman », belongs to the tradition of funerary figures created during the Han dynasty, about 1,800 to 2,200 years ago. It depicts a standing male figure, recognizable by his particularly slender silhouette, long legs, and the clean handling of the anatomy. The face, with delicately shaped features, presents a serene expression, while the hairstyle is carefully rendered. The shoulders feature circular openings intended to receive attached arms, probably originally made in a perishable material. Funerary and symbolic function Known as mingqi, these statuettes were placed in tombs to accompany the deceased in the afterlife. They illustrate the beliefs of ancient China, according to which the funerary furniture should symbolically extend the conditions of earthly life. Through its slender proportions and pared-down form, this figure also possesses an unexpectedly contemporary sculptural presence. Thermoluminescence – ASA Laboratory The statuette is accompanied by a copy of thermoluminescence analysis documentation performed by the ASA laboratory, under the responsibility of Francine Maurer, dated November 5, 2005. Sample reference: 502121 B. The thermoluminescence curves as well as the measured equivalent dose are reproduced in the attached scientific document, constituting an important element of the study file for this piece. Characteristics and condition * Origin: China. * Period: Han Dynasty (206 BCE – 220 CE). * Material: terracotta. * Typology: anthropomorphic funerary statuette « Stickman ». * Height: about 60 cm. * Presentation: black metal base. * Condition: old patina, signs of wear and surface alterations visible, in line with the photographs. Arms missing. One leg has been reattached, with a visible restoration line. * Documentation: ASA thermoluminescence analysis, 2005. Display and shipping Mounted on a black metal base, this statuette stands out for its slender silhouette and sober aesthetics. It will naturally find its place within a collection of Chinese archaeology or in a contemporary interior. Given its age and fragility, it will benefit from particularly careful packaging suitable for its conservation and insured transport.

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