Alberto Korda (1928–2001) - Fidel Castro en discurso en...

lot/alberto korda 1928 2001 fidel castro en discurso en 7EhsNY6 633415538 / Price history

lot/alberto korda 1928 2001 fidel castro en discurso en 7EhsNY6 633415538

For saleAuction results

lot/alberto korda 1928 2001 fidel castro en discurso en 7EhsNY6 633415538

For saleAuction results

Bring your auction to collectors worldwide!

Get listed now

Alberto Korda (1928–2001) - Fidel Castro en discurso en...

Extraordinary auction: "Alberto Korda, personal archive". Original photographs from Alberto Korda's personal archive, certified by his sole universal heir, Diana Díaz López. * Note about this particular photograph: Fidel Castro giving a speech at the Plaza de la Revolution, Havana, 1965 + COA. * This photograph bears the photographer's dry stamp + COA. It is important to know that copies produced after this period lost much of the quality because the negatives deteriorated over the years and left marks that made it impossible to reproduce the same quality and depth of tones as these that we offer. A unprecedented proposition of historical, artistic, and documentary value In the world of art and documentary photography, there are moments that mark a before and after. This auction represents one of them. For the first time, the public has access to an exclusive selection of original photographs from Alberto Korda's personal archive, the renowned Cuban photographer whose work not only defined the visual language of the Cuban Revolution, but also became an icon of 20th-century history. Beyond his well-recognized authorship of the legendary portrait of Ernesto “Che” Guevara—an image that has transcended multiple cultures as a symbol of rebellion, dignity, and idealism—becoming the most reproduced image in human history. Korda was an artist deeply committed to his time, a keen observer of his surroundings and a visual chronicler of an unprecedented political, social, and human process. The works presented in this auction are not mere reproductions or copies without a defined origin: they come directly from the artist's personal archive, and represent a unique and unrepeatable opportunity to acquire pieces with a degree of authenticity and traceability virtually impossible to find today in the international market. The extreme image quality in the blacks of the photographs shows the image's exceptional fidelity directly from the negative; this level of quality in later copies is rarely achievable. Guaranteed authenticity: The priceless value of the certificate signed by Diana Díaz. The element that finally distinguishes this collection is that each photograph is delivered with a certificate of authenticity issued and personally signed by Diana Díaz, the ONLY legally recognized universal heir to Alberto Korda's legacy by her father, and the only person authorized to issue certificates of the work in the world. This detail, far from being a mere documentary formality, constitutes an absolute guarantee of the origin, legitimacy, and authenticity of the work. In the world of collecting, provenance is a decisive factor, and having the direct endorsement of the person legally and by inheritance authorized to validate Korda's work adds tangible and intangible value that is incalculable. Diana Díaz has been, for decades, the caretaker of her father's personal archive, and her role as guardian of that legacy has been recognized both in Cuba and internationally. No other person in the world has the legal authority to issue authentication certificates for Alberto Korda's works. Therefore, acquiring a photograph with her certification seal is to secure a direct and legitimate link to the author, his original archive, and his family history. In the art market, this legitimacy is more than a guarantee: it is a safe investment, an exclusivity seal, and protection against the proliferation of apocryphal copies or unverified prints that circulate without backing. A living legacy: Art, revolution, and humanity. The photographs available in this auction reflect different facets of Korda's gaze: from intimate portraits of Fidel Castro and Che Guevara, to spontaneous scenes of the Cuban people, revolutionary women, children in schools, workers, parades, and moments of deep social symbolism. Each image encapsulates the energy of a particular era and the sensibility of an artist who knew how to portray not only the leaders but also the soul of the people. The beauty of his work lies in his ability to capture emotion, the smallest gesture, and human dignity, even in complex contexts. His humanist style, deeply, continues to be studied in art and photography academies for its aesthetic precision and narrative weight. Korda was not a mere witness to history. He was its visual interpreter, its poet in black and white. And his personal archive — zealously guarded to this day — represents an enormous artistic and documentary reserve of historical value. An exclusive opportunity for collectors and institutions This event is not only relevant for private collectors, but also for cultural institutions, museums, archives, foundations, and universities that wish to add a piece of contemporary history signed by one of its visual protagonists to their holdings. The combination of: • Direct provenance from the author's archive. • The personal and legal certification of Diana Díaz. • The image quality, aesthetics, and historical significance of each photograph. Turns these pieces into collection items of the highest cultural and economic value, whose prestige and valuation will only increase over time. This is not just art. This is living history. Biography of ALBERTO KORDA (1928-2001). Alberto Korda: The eye of the Cuban Revolution. The beginnings: From fashion to revolution Born as Alberto Díaz Gutiérrez in Havana, Cuba, on September 14, 1928, Korda began his career in commercial and fashion photography. During the 1950s, he founded a studio with his partner, specializing in portraits of celebrities, models, and advertising. His talent for framing, light, and composition already stood out at this early stage, and his images revealed a refined aesthetic sensitivity that would later apply to a very different context. However, his fate changed radically from 1959, with the triumph of the Revolution led by Fidel Castro. Fascinated by the energy and idealism of the new political process, Korda turned to documenting social change from within, becoming the official photographer for the newspaper Revolución. His close proximity to the revolutionary leaders gave him privileged access to intimate scenes, historic speeches, diplomatic trips, and everyday moments of revolutionary life. A visual testimony of the Revolution Korda was an exceptional witness to some of the most emblematic moments in Cuba's contemporary history. Over more than a decade, he captured in black and white Fidel Castro, Che Guevara, Camilo Cienfuegos, Raúl Castro, and a variety of participants in the revolutionary process, as well as the Cuban people in their daily life: peasants, workers, children, and women who embodied the ideals of social justice, literacy, and sovereignty. His work is characterized by intense emotional charge and an ability to find beauty and humanity in any scene. Korda asserted that his photography was “of soul, not of technique,” and that authenticity is felt in every one of his compositions. His style is marked by natural light, close framing, and a deeply humanistic gaze. The immortal image: Guerrillero Heroico On March 5, 1960, during a funeral for the victims of the La Coubre ship explosion in Havana, Korda took what would become the most iconic photograph of the 20th century: the portrait of Ernesto “Che” Guevara, later titled Guerrillero Heroico. With a grave expression, a determined gaze, and wind-blown hair, the Che appears as a symbol of rebellion and determination. Curiously, the image was not published by the Revolución newspaper the following day, and Korda kept it as part of his personal archive. Years later, the photograph was reproduced and widely disseminated, becoming a global symbol of resistance, idealism, and the fight against oppression. It was adopted by social movements around the world, from May 1968 to civil rights campaigns. Despite the image's popularity, Korda never charged royalties for its use—except when it was used for commercial purposes, as in a vodka advertising campaign, which led Korda to sue and win the case, donating the profits to Cuban public health. Beyond Che: An invaluable archive Although Guerrillero Heroico made the headlines, Korda's work is vast and goes far beyond that image. His archive includes: • Close portraits of Fidel Castro, in moments of concentration, relaxation, or leadership. • Scenes of the Cuban people, particularly women and children, highlighting dignity, hope, and everyday beauty. • Documentation of international missions, such as trips to the USSR and Africa, showing the Revolution's diplomatic projection. • Symbolic images, such as the miliciana, the girl with the stick doll, David and Goliath, where the contrast between violence and poetry creates a deeply moving effect. Korda considered one of his most important series the one dedicated to Cuban women, whom he portrayed as active protagonists of the revolutionary process. With these images, he helped challenge traditional gender roles and celebrate female strength. Legacy and international recognition Alberto Korda passed away in Paris in 2001, while attending an exhibition of his work. His legacy, however, has continued to grow, with exhibitions in museums and galleries around the world. His archive has been the subject of numerous publications and catalogs, and his works are part of private and public collections of the highest prestige worldwide. Korda is regarded as one of the most influential documentary photographers of the 20th century, and his work has not only artistic value but also historical, political, and cultural significance. Note: Some descriptions are accompanied by illustrations from books about this image; the books shown are not included with the photograph for sale. The illustrative portraits of photographer Alberto Korda are also not included in the sale nor other illustrative photographs. Some photographs on the back of the image have mounting marks from having been exhibited in a Paris exhibition, but they do not damage the front image in any way. Important: The photographs will be sent well protected so that they reach their recipient in perfect condition.

Estimate:$1,339.18

Sold for:-