AFRO BASALDELLA (Udine, 1912 - Zurich, 1976) - Viale delle Acacie

Descriptio Mosaic on panel. Dimensions: 77 × 151 cm. This abstract and expressionist work features a horizontal composition of intense color, articulated through organic forms, irregular geometric structures, and a complex network of sinuous lines intertwined on a surface dominated by shades of blue, black, brown, and ochre. On the left, large bluish areas are crossed by dark horizontal and vertical strokes, evoking plant structures and tree-like branches. In the central area, a succession of curved forms and calligraphic signs unfolds, among which an oval element in an orange hue stands out. On the far right, the composition becomes denser through the superimposition of black lines, elongated forms, and geometric structures that contrast with the turquoise background. The use of small mosaic tiles lends the surface a remarkable richness of texture and light, allowing the chromatic variations and fragmentation of contours to generate a visual vibrancy characteristic of this technique. The work reflects the artistic language of Afro Basaldella, known as Afro, a key figure in postwar Italian abstraction, whose work is characterized by the integration of gestural elements, biomorphic forms, and a particular sensitivity to the relationships between color, space, and matter. In this composition, the reference to landscape suggested by the title is transformed into an abstract interpretation of plant rhythms and natural structures, where the lines seem to evoke trunks, branches, and visual paths that traverse the pictorial space. Its formal conception shows affinities with certain investigations by Arshile Gorky (1904-1948), especially in the use of organic forms, floating structures, and signs evoking nature, as well as with the artistic universe of Joan Miró (1893-1983), due to the use of calligraphic lines, biomorphic elements, and symbolic compositions. Parallels can also be drawn with certain works by Willem de Kooning (1904-1997), due to the gestural energy, the fragmentation of forms, and the tension between structure and expressive spontaneity. These references constitute stylistic affinities and do not imply an attribution of authorship. The work is signed in the lower right corner. On the reverse, there is an inscription in black marker with the signature of G. Franco Bertaccini and the stamp of Galleria Il Patio, Ravenna (Italy). Bibliography: Maurizio Calvesi (ed.), Afro a Ravenna: opere su carta, grafiche, arazzi, mosaici, RL Stamperia d’Arte, Ravenna, 1991, plate 13, page 166, reproduced work. Accompanied by a certificate of authenticity on a color photograph issued by the Galleria Il Patio in Ravenna.as well as a copy of the catalogue in which it appears. The work is in perfect condition, according to the documentation provided. Lot in international warehouse (within the EU). Intra-EU shipment: no import duties apply within the EU. An export permit from the country of origin may be required.

Estimate:$8,981.19

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