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Claude Monet (1840-1926) Camille assise sur la plage à T...
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Claude Monet (1840-1926) Camille assise sur la plage à T...
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notes

The Collection of Peggy and David Rockefeller

On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. This is a lot where Christie’s holds a direct financial guarantee interest.

The Collection of Peggy and David Rockefeller

title

Camille assise sur la plage à Trouville

creator

Claude Monet (1840-1926)

exhibited

Paris, Galerie Durand-Ruel et Cie., Claude Monet, January-February 1970, no. 4.

literature

D. Wildenstein, Claude Monet: Biographie et catalogue raisonné, 1840-1881, Lausanne, 1974, vol. I, p. 190, no. 159 (illustrated, p. 191).

R. Gordon and A. Forge, Monet, New York, 1983, p. 46 (illustrated in color; dated 1870).

D. Wildenstein, Claude Monet: Catalogue raisonné, supplément aux peintures, dessins, pastels, index, Lausanne, 1991, vol. V, p. 24, no. 159.

D. Wildenstein, Monet: Catalogue raisonné, Cologne, 1996, vol. II, p. 76, no. 159 (illustrated).

C. Vogel, "Despite Legal Troubles, Sotheby's Makes a Strong Showing at Art Auction" in The New York Times, 11 May 2000.

A. Peers, "Portrait of an Unexpected Victory: Market Savvy, CEO's Departure Helped Underdog Sotheby's Score in Big Spring Sales" in The Wall Street Journal, 16 May 2000 (illustrated).

D. Hansen and W. Herzogenrath, Monet und Camille: Frauenportraits im Impressionismus, exh. cat., Kunsthalle Bremen, 2005, p. 28 (illustrated).

M.M. Gedo, Monet and His Muse: Camille Monet in the Artist's Life, Chicago, 2010, p. 102 (illustrated, p. 103, fig. 7.5).

G. Lowry, intro., The David and Peggy Rockefeller Collection: Supplement, New York, 2015, vol. V, pp. 14 and 26-28, no. 3 (illustrated in color, p. 26).

G.T.M. Shackelford, Monet: The Early Years, exh. cat., Kimbell Art Museum, Fort Worth, 2016, p. 155 (illustrated in color, fig. 114).

lot_number

30

provenance

Emile Petitdidier (Blémont), Paris (probably acquired from the artist, 1875).

Mme Petitdidier, Paris (by descent from the above, by 1920).

Wildenstein & Co., Inc., New York (acquired from the above, 1959).

Jacques Guerlain, Paris (acquired from the above, November 1959).

Wildenstein & Co., Inc., New York.

Anon. sale, Sotheby’s, New York, 10 May 2000, lot 6.

Acquired at the above sale by the late owner.


*Note: The price is not recalculated to the current value. It refers to the actual final price at the time the item was sold.

*Note: The price is not recalculated to the current value. It refers to the actual final price at the time the item was sold.


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